Broadcast Poker Production
From the RFID deck to the program feed: we produce poker broadcasts the way we have for two decades — table systems, graphics, engineering, and crew under one roof.
The credits speak for themselves — the World Series of Poker, Poker After Dark, High Stakes Poker, and dozens of televised events built on our table technology and production practice.
Final tables, multi-day tournament runs, and high-stakes cash sessions — formats we have produced at every scale, from single-table studio shows to arena-floor coverage.
We invented the RFID playing card. Table builds, embedded reader systems, and card-data pipelines come from the source — not a third-party rental.
True-live streams, security-delayed hole card broadcasts, and post-produced episodic shows. The delay and card-reveal rules are enforced in the system architecture, not by operator discipline.
The full broadcast poker graphics stack — hole cards, win percentages, chip counts, player profiles — produced by the same team that builds the show.
Redundant encode and delivery to any platform — RTMP, SRT, multi-destination simulcast — with ISO records and clean feeds for post, highlights, and international partners.
Technical directors, graphics operators, and production managers who know the game — who anticipate the all-in, hold the reveal, and cut the turn card like they've done it a thousand times. Because they have.
Most productions stitch together a table vendor, a graphics vendor, and a truck. We are all three — which is why our shows rehearse faster, fail less, and look like one product.
Show format, venue survey, table and set design, signal flow, and a production schedule built backward from air date.
Table install, RFID commissioning, graphics integration, and full-chain rehearsal with cards in the air before cameras roll.
Show-day operation, live delivery, automated social clips, and post handoff — episodes, highlights, and archives.